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학술자료

다양한 고고학적 자료를 통해 가야문화의 역사와 가치를 살펴보세요.

역사학

于勒의 망명과 신라 大樂의 성립

Woo-Reok's Exile and the Formation of the Silla Country's Ceremonial Music

목록
  • 저자 백승충
  • 시대
  • 학술지명 한국민족문화
  • 페이지 905
  • 발행기관 부산대학교 한국민족문화연구소
  • ISBN/ISSN
  • 발행지역
  • 발행연도 2007

초록(영문)

In the 6th century, according to King Ga-Sil's direction, for the purpose of standardization in Gaya's Song, Woo-Reok composed 12 music which was made of 9 minor country's name and 3 dance music. But the real aim of the Woo-Reok's 12 music's composing was creation of a sense of unity in Gaya which was faced from the outside plunder. In 540's, Woo-Reok, the best musician in Gaya and a member of pro-Silla group, took refuge in Silla. King jin-Heong of Silla installed him in Cook-Won area, the bridgehead in northward advance. The Silla country's ceremonial music originated in Gaya's. In spite of Silla's traditional music, the named Hyang-Ak, was in existence, Gaya s music was a superior than Silla's. When Queen jin-Deok was on the throne, Silla country's ceremonial music accomplished. But, King Jin-Heong' s reign period, that was referred to emphasize important divide in the history of Silla country's ceremonial music.

목차

1. 머리말 2. 우륵, 가야금, 그리고 가실왕 3. 우륵의 '投我'와 가야 음악 전수 4. '加耶亡國之音'의 신라 대악 과정 5. 맺음말 참고문헌 Abstract